However, much of her criticism is applicable to today’s society. 12 Sayers, “Why Work,” 2 4 work caused both work and the worker to suffer. Work becomes increasingly meaningless and often of poor quality; the worker becomes bored doing work that is uninteresting, of poor quality, and uncreative. No piety in the worker will compensate for work that is not true to itself; for any work that is untrue to its own technique is a living lie.9 6 Dorothy L. Sayers, The Mind of the Maker, (Westport: Greenwood Press, 1970), 220 7 Sayers, “Why Work,” 6 8 Martha Greene Eads, “The Mystery of Vocation,” The Center for Christian Ethics at.

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Dorothy Leigh Sayers (usually stylised as Dorothy L. Sayers; 1893–1957) was an English crime writer, poet, playwright, essayist, translator and Christian humanist; she was also a student of classical and modern languages. She is perhaps best known for her mysteries, a series of novels and short stories, set between the First and Second World Wars, which feature Lord Peter Wimsey, an English aristocrat and amateur sleuth. Sayers herself considered her translation of Dante's Divine Comedy to be her best work.^[1][2]

Sayers was educated at home and then at the University of Oxford. This was unusual for a woman at the time, as they were not admitted as full members of the university until 1920 – five years after Sayers had completed her first class degree in medieval French.^[1][3] In 1916, a year after her graduation, Sayer published her first book, a collection of poems entitled Op. I, which she followed two years later with a second, a slim volume titled Catholic Tales and Christian Songs.^[1] The same year she was invited to edit and contribute to the annual editions of Oxford Poetry, which she did for the next three years.^[4] In 1923 she published Whose Body?, a murder mystery novel featuring the fictional Lord Peter Wimsey, and went on to write eleven novels and five collections of short stories about the character. The Wimsey stories were popular, and successful enough for Sayers to leave the advertising agency where she was working.^[5][6][a]

Towards the end of the 1930s, and without explanation, Sayers stopped writing crime stories and turned instead to religious plays and essays, and to translations. Some of her plays were broadcast on the BBC, others performed at the Canterbury Festival and some in commercial theatres.^[7] During the Second World War through these plays, and other works like The Wimsey Papers (1939–40) and Begin Here: A War-Time Essay (1940), Sayers 'offered her countrymen a stirring argument for fighting', according to her biographer, Catherine Kenney.^[1] As early as 1929 Sayers had produced an adaptation—from medieval French—of the poem Tristan by Thomas of Britain,^[7][8] and in 1946 she began to produce translations of Dante, firstly the four Pietra canzoni then, from 1948, the canticas of the Divine Comedy. Her critical analyses of Dante were popular and influential among scholars and the general public, although there has been some criticism that she overstressed the comedic side of his writing to make him more popular.^[2] Sayers died in December 1957 after suffering a sudden stroke.^[7]

• 11Notes and references

Poems[edit]

Novels[edit]

Short story collections[edit]

Dorothy Sayers Why Work Pdf 2016

Sayers contributed to numerous short story anthologies, but also published a number of collections of her own works.^[4]

Dorothy Sayers Why Work Pdf 2017

Editor[edit]

Translation[edit]

Dorothy Sayers Why Work Pdf Download

Scripts and plays[edit]

Dorothy Sayers Why Work Pdf Converter

Miscellany[edit]

Sayers wrote numerous essays, poems and stories which appeared in several publications, including Time and Tide, The Times Literary Supplement, Atlantic Monthly, Punch, The Spectator and the Westminster Gazette; in the last of these she was the author of a poem under the pseudonym H.P. Rallentando. She also wrote several book reviews for The Sunday Times.^[4]

Non fiction[edit]

Letters[edit]

See also[edit]

Notes and references[edit]

Notes[edit]

1. ^One of Sayers's contributions while working at the agency was the slogan 'My goodness, my Guinness!'^[1]
2. ^Produced by Phoenix Films in 1935.^[4]

References[edit]

1. ^ ^abcdeKenney 2004.
2. ^ ^abStock 1990, pp. 289–90.
3. ^Howard 2004, p. 11.
4. ^ ^{abcdefghijklm}'Dorothy L(eigh) Sayers'. Contemporary Authors. Gale. Retrieved 21 May 2015.(subscription required)
5. ^Howard 2004, p. 17.
6. ^Gunn 1998, pp. 4–6.
7. ^ ^abcBenstock 1985, p. 268.
8. ^Stock 1990, p. 287.
9. ^ ^abcdHoward 2004, pp. 18–19.
10. ^ ^abcdeBenstock 1985, pp. 254–56.
11. ^ ^abcGunn 1998, pp. 12–13.
12. ^'The Floating Admiral'. British Library Catalogue. London: British Library. Retrieved 1 June 2015.
13. ^'Ask a Policeman'. British Library Catalogue. London: British Library. Retrieved 1 June 2015.
14. ^'Six against the Yard'. British Library Catalogue. London: British Library. Retrieved 1 June 2015.
15. ^ ^abcdeStock 1990, pp. 285–88.

Sources[edit]

• Benstock, Bernard (1985). 'Dorothy L. Sayers'. In Stayley, Thomas F. (ed.). Dictionary of Literary Biography: British Novelists, 1890–1929: Modernists. Detroit: Gale. ISBN978-0-8103-1714-7.
• Gunn, Katharine (June 1998). 'Dorothy L. Sayers'. Book and Magazine Collector. Diamond Publishing Group (171).
• Howard, David (April 2004). 'The Lord Peter Wimsey Books'. Book and Magazine Collector. Diamond Publishing Group (241).
• Kenney, Catherine (2004). 'Sayers, Dorothy Leigh (1893–1957)'. Oxford Dictionary of National Biography. Oxford University Press. doi:10.1093/ref:odnb/35966. Retrieved 3 June 2015.(subscription or UK public library membership required)
• Stock, R.D. (1990). 'Dorothy L. Sayers'. In Bruccoli, Matthew J. (ed.). Dictionary of Literary Biography: Modern British Essayists. Detroit: Gale. ISBN978-0-8103-1714-7.